Ugly
Planet
magazine is dedicated to documenting artists who support innovation,
diversity,
equality, justice and social introspection.
Ugly
Planet
is not a corporation but a collective of artists, writers and other
aspiring
propagandists. Ugly Planet is made possible by the support of friends
and
the kindness of strangers.
CHIEF
EDITOR
S. Lahoz
DEPUTY
EDITOR
Pedro
Taino
CREATIVE DIRECTOR
S. LaHoz
COPY
EDITORS
Hannah
Wolfe
Andrea
McCready
ASSISTANT
EDITORS
Liam O’Donoghue
Kira Yustak
Sue
Woznicki
Chris
Mercado
<>CONTRIBUTORS
Vinnie
Apicella
Jennifer Bleyer
Dub C.
Richard John Cummins
Debra DeSalvo
Colleen Frary
Dawn Fredericks
Fly
Mark Harris
Yasmin Hernandez
Walidah Imarisha
Tracy Jones
Crista Lauctes
Serena Norr
Joan Riley-Murphy
Bad Santistevan
Dorsey Thrush
Ben Tyree
Jeb Toocrass
/////
SENDING YOUR MATERIALS:
If
you're a band, record company or publicist, and would like to send
materials for
review you may contact us
here.
//////////
HELP
WANTED
We are
always
looking for contributors.
Join
Us!
ACOLADES
Read what
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What's
UGLY
PLANET about?
Ugly
Planet
magazine is dedicated to documenting artists who support innovation,
diversity,
equality, justice and social introspection. We seek artists
(regardless
of genre) who transcend the simple title of "entertainer," and endeavor
to enlighten or engender political or social change. We would like to
encourage
new generations and maintain the idea of using art and media as tools
for
social change and introspect.
How do you choose your
subjects?
We do not choose featured
artists
based on popularity or how many magazines we think they will help us
sell.
We choose them based on who they are and what they represent in the
music
community. We want to show music fans (and the music industry) a
different
face of "music." By being in the magazine, artists show their support
for
relevant music.
Why do you cover mostly
music?
The main goal behind Ugly
Planet
is to get people to talk and exchange information by using the format
of
popular music. The idea of music as more than just entertainment. To
show
music fans that artists can talk about other things besides getting
rich
and getting laid. Ugly Planet is not the Nation, Mother Jones, the New
York Times, etc. It's a small music publication. We like to keep things
light and nonesoteric. In a language everyone can understand. So, some
subjects go on tangents while others are more laid back.
Why don't you do any
articles or
short stories?
Ugly Planet is not about
editorializing.
It's about the artists and having a conversation with them. There are
plenty
of zines and magazines (not to mention Internet zines and blogs)
churning
out hundreds of editorials each day. So, there won't be any editorials,
poetry or fiction in Ugly Planet. However, we are open to nonfiction
shorts
(such as autobiographical confrontations with the system).
Do you plan to include
"fine art"
artists, or just illustrators?
Ugly Planet is about the
artists
who use popular media (music, visual arts, publishing, filmmaking) to
promote
social change. This does not include fine art painters (or sculptors),
social workers or other activists. Our focus is the idea of promoting
the
use of popular media to create social change or awareness.
Why is the magazine
mostly "question
and answer" format?
I grew up on Seconds,
MaximumRockNRoll,
Flipside and countless other DYI zines of the 80s. And I appreciate the
simple Q&A format. I enjoy reading interviews that are in a
conversational
style. To read what an artist has to say, instead of reading a writer's
witty assumptions and interpretations. In the Q&A format, we honor
the artists and let them have the spotlight. As my co-editor (a huge
Public
Enemy fan) says, "If I see an article on Public Enemy I won't read it,
but if I see a Q&A with Public Enemy I'll read it." As someone who
considers music to have been the single most powerful influence on my
own
life, I agree. I normally skip critics and rants and just want to hear
the music or hear the artist talk.
What is your policy on
photos?
Ugly Planet does not run
press or
publicity photos. Especially ones that have run in other publications.
Also, Ugly Planet does not run live performance photos or photos of
musicians
holding instruments. For this reason, Ugly Planet requests that a
photo session be set up for all interview subjects. This is done in
order
to keep the look and feel of the magazine. Which is, large portraits
and
spreads throughout. If a photo session is not possible, the story may
run
smaller, and in most cases with an illustration by one of our freelance
artist/contributors.
How do you decide what
goes on
the cover?
At the present time, covers
will
not be photos of bands featured in the magazine. This is to keep the
cover
of the magazine from looking like every other music magazine. Instead,
since we do an interview with one artist/illustrator in each issue, we
plan to run one piece (on the cover) from that issue's featured artist.
What kinds of music do
you review?
We review all kinds of music.
Even
artists who may not be political. If we like the music, find it
relevant
and original, we'll review it. We also review documentaries on DVD,
music
on CD or DVD, nonfiction books and other publications. If
you would like to send materials for review you may contact us
here.
Who pays for Ugly
Planet?
Because Ugly Planet magazine
has
a small staff, our basic operating costs are very low. Almost
most
of our funding comes from ads and from people like you (donations). We
are not a corporation with private investors. We are not a glossy
consumer
magazine with liquor, cigarette and car sponsors. Ugly Planet can
only happen with your
help.
Do you make a living
from Ugly
Planet?
Absolutely not. We put our
own money
(earned at our regular jobs) and time (we should be on vacation) to put
together Ugly Planet. We don't think success of a project is
measure
by how much money a project is making. But rather the influence that
project
has on the culture.
Why don't you change
your format
just a bit, so you can reach more readers (and make more money)?
As an artist, what I learn
over and
over again as I get older, is that when your art work reflects your
vision
without compromise, you send out a message to find and connect with
others
like you. When you modify your art to fit popular demand or trends, you
disguise and isolate yourself into a box you don't even belong in.
What ideas do you have
for Ugly
Planet's future?
Even though I truly enjoy
making
this mag, I don't do it as a business. I have no plans to ever make
money
off Ugly Planet. It's a project I do for myself and the people who
enjoy
reading it. Kept for historical reference. Some people have a garden or
a front lawn they work on; I have Ugly Planet. I can't find more
artists to interview (or start to lose too much money), I can move on
to
a different project.
Your magazine claims to
be D.I.Y.,
but it's very slick, what's up with that?
We use the same (QuarkXpress)
design
program and (Apple) computer that a lot of D.I.Y. zines use. D.I.Y.
means
just that, Do-It-Yourself. It doesn't mean "be sloppy and crude", or
"make
it look like you don't care". If you came by and hung out with us,
you'll
find that Ugly Planet is a true D.I.Y. concept all the way. One of the
most D.I.Y. projects you'll ever run into.
What kind of computer
and what
kind of programs do you use?
Issue One was done on an
Apple PowerBook
G3 using QuarkXpress 5.0. Issue Two was done on an Apple iBook 12" G4
using
QuarkXpress 6. All photos are shot on 35mm film (some on 120mm).
After the photos are chosen for the issue, only the frames we
need
are scanned. Photoshop is only used for converting many of the pictures
from color to Black and White. Minor contrast adjustments are made. The
magazine is entirely laid out using QuarkXpress 6 and saved on a CD.
That
new CD (containing the layouts, photos and fonts) is sent to our
printer
in North Dakota. A week later they send us a proof. If approved, the
issue
is ready in another week.
What kind of equipment
do you recommend
for someone who's starting out?
Most everyone we know uses
(Apple)
Macs. Some have bought them new, some of us have bought them
used.
These days you can buy an older used Mac on Ebay for $200 (for an iMac)
or $350 plus monitor (for a G4). The most expensive part is the
programs.
You may get away with using simple (or free) photo software, but when
it
comes to layout and type QuarkExpress is quite expensive ($900). But if
you are a student you may qualify for a discount or you may be able to
use a computer at school that already has the program. Also ask around
maybe someone you know already has Quark and you can ask to use their
computer
for a few hours a day while you work on your project. It's not a
program
you can just pick up and learn in one day or week. Like anything else,
you should pick up a book and read up on how to use it and learn a bit
more about typepography and printing production. One of the main
mistakes
people make is the missuse (or abuse) of fonts. Yes, a class at your
local
college would help quite a bit.
Why do you use Apple
computers?
Apples are easy to use. Apple
has
made lot of innovations toward digital self publishing, be it music,
film
or printed matter. The Apple computer is a great tool for D.Y.I. media.
Get acquainted with it. If you are a propagandist or have plans
to
become one, reading or taking classes on current (digital) media tools
is essential.
If you have any other
questions contact
us.
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